Joyce Wieland Filmes

A day at the Beach, at the Sea, at the Sky and at the Sailboats.

You see nothing but a white, crystal white plate, and water dripping into the plate, and you hear the sound of the water dripping. The film is ten...

Hand Tinting, a five-minute silent study of young girls dancing, swimming, and observing one another by Joyce Wieland, […] has a quality that...

A cat eats its methodical way through a polymorphous fish.

One of Joyce Wieland's earliest works, shot in 8mm and finally blown-up to 16mm, “Larry’s Recent Behaviour” has been described by...

We do not actually see Pierre Vallieres, we see only his lips, his teeth, as he talks in French. English subtitles translate what he says. He speaks...

Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way...

In a way a portrait of Dave Shackman with the American flag. The ending is a stop-motion animation of a set table with food moving and swirling and...

Constructed from found and stock footage, Barbara’s Blindness is a meditation on vision and adversity, drawing humour and pathos from a...

A cutout of a woman's silhouette is displayed in many locations while a free jazz soundtrack is heard. The jazz musicians later pose for the camera...

Patriotism, Part One depicts an army of phallic, bun-clad wieners marching on a vulnerable sleeping white male body, naked save for a sheet.

"I decided to make a film at my kitchen table, there is nothing like knowing my table. The high art of the housewife. You take prisms, glass, lights...

Filmed in Joyce Wieland and Michael Snow’s loft in New York, the film covers a day of friends visiting, writing and drawing from noon of one...

The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated...