Stan Brakhage Filmes

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...

"My moving-visual response to William Blake's "The Marriage of Heaven & Hell," this hand-painted film seems the most rhythmically exact of all my...

Another of Brakhage’s works of “moving visual thinking,” Rage Net reminds one of the vibrant pioneering experiments of European...

The "star", as it is singular, is the sun; and it is metaphored, at the beginning of this film, by the projector anyone uses to show forth. Then the...

Water for Maya is a hand-painted work which came into being during a film interview with Martina Kudlacek about Maya Deren. There was a sudden...

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...

This film, a combination of hand-painting and photography, is a fulsome exposition of the themes of DOG STAR MAN. In that early epic I had envisioned...

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...

In 1958 R. Igor Gamow first met Jane Brakhage. Peter Garrity, in his new documentary film, "Dinner with Brakhage and Gamow" follows their life long...

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...

Flares of color break into streams of light, leaves, wood grain and prism-etched vegetation. A moon lifts out of this dark weave to be replaced by...

Since the age of 17/18, I've been haunted by the catastrophe of Pompeii – beginning with photographs (sold as pornography in high school) of...

Director Robert Gardner and legendary filmmaker Stan Brakhage share an in-depth viewing of Gardner's ethnographic masterwork, Forest of Bliss. The...

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...

Begins with landscape/sunset thru mist, ends with window sill.

Photographing near Taos, New Mexico, where D.H. Lawrence lived, and in the room in which his ashes may be entombed, Brakhage also cites a statement...

This hand-painted work presents the semblance of a dark brown wall, ripped open and pocked with yellowed visions of rooms and other interiors,...

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...