Narcisa Hirsch Filmes

The movie follows a group of children living in the streets in the city of Buenos Aires. The only day center working is the CAINA (Centro de...

"Life is a latency that as time and space becomes visible as a figure. But never eat at all, there are other possible lives. Making a life is...

“ Cinema is what happens between frames," said German experimental filmmaker Werner Nekes. A woman and a man are on the ground together but it...

In his second feature film, Leandro Listorti establishes a parallel between two worlds he seems to know well: that of plants and that of cinema. This...

With research that spans the work of philosophers Gilles Deleuze and Martin Heidegger to modern mythologies in which time reversal plays a crucial...

About the music of Steve Reich, a phrase be phased out as the image it makes the reverse movement.

The Aleph is the point where diachronic and synchronic times meet, and each second represents a moment in life, from birth to death.

"The world is a tarantula ... a big, dark tarantula, moving around weaving its own web." A journey into myths and origins of the world with the grand...

MUNDIAL 78 is a humorous depiction of the controversial 1978 football World Cup that took place during the Argentinian dictatorship

Hirsch’s first steps in filmmaking were documentations of her performances and happenings in public spaces. These were collective actions,...

"Academia del fracaso" is a speculative aesthetic fact of a polemic nature, as Marta Minujín explains when she talks about her work. Portrayed...

The dialogue of a woman with herself split into two unknown opposites.

Documentary about Jewish immigration in Argentina.

Twins still in their amniotic fluid announce our human condition, our compulsion to walk, move forward, run. When everything moves, we go through the...

Happening by Narcisa Hirsch, where she gives free apples in the street while we hear passersby's comments.

An interpretation in images of the texts of Rumi, 13th century Sufi poet. Registering a simultaneous projection RUMI live in two different formats...

"...Part of Descendencia was originally shot in 16mm film by the husband of my grandmother. This was in 1928. It was my family’s footage. It...

The reeds lean over the water. There is no nostalgia. A letter filmed for Rafael Maino in 1984 with stories of the filmmaker as a memoir of a...