Jamie Nares Filmes

Nares mocks up Ancient Rome by shooting in faux-classical sites including Tribeca's American Thread Building, where a decrepit penthouse loft with a...

"ARABIAN LIGHTS is the second of only two Super 8mm films deAk is known to have fully edited to completion, and the only work she produced outside...

“Nares creates a tornado-like catastrophe with a hand-held super-8 camera, a shooting ratio of three to one (about $100 worth of film stock),...

A pendulum swings among old NYC buildings.

Freehand wall carving of a perfect circle.

Freehand wall drawing of a perfect circle.

Studies in repetitive movement.

A wandering being in search of sustenance in a wintry wasteland experiences a strange transformation, eventually learning that the best way to get is...

Throwing and catching the same.

Studies in repetitive movement.

This hybrid of diary and documentary was shot on Jamie Nares’s first trip home since her arrival in New York three years prior. While the...

A game of stones, with Seth Tillett.

Calibration study for the film Pendulum.

Two giant circles forming semicircles, carved with a self-made instrument.

A hand descends, as though from the heavens, to manipulate a length of ribbon.

Rhythmic video music made by dropping stones on stones.

Taking stock of the city block. A measuring of sorts. One of the first films made by Nares after moving to New York City.

A schematic animation of matter transforming into energy.

Exploring the pre-fame years of the celebrated American artist Jean-Michel Basquiat, and how New York City, its people, and tectonically shifting...

Self portrait as a head adrift in the city.