Stéphane Marti Filmes

Stéphane Marti is a teacher and film-maker who, since 1976, has been expounding the plasticity of experimental cinema, freeing it from the...

A barocco environment inspired by shared desires and fantasy (that led to the co-writing of Corptrass, a scenario by Michel Journiac and Stephane...

Around three boys accomplices to playful and shy grace, Stéphane Marti inaugurates his cinematographic writing.

A seraphic creature named Vyva - both Queen of Sheba, Moon Pythia, Spider-Woman and Mary Magdalene - offers kisses, caresses and jewelry to a man...

Film-portrait about the works and the furniture-jewels carefully installed in Monique Delvincourt’s gardens, precious accomplice in baroque of...

Aloual, the black pearl leads an initiatory journey which is a quest for the part of mystery and the wild side that lays deep inside each of us.

It is a fragmented portrait where Marcel embodies different characters, a mischievous dandy immersed in a profusion of shimmers and erotic pictures,...

Set during the Paris Pride 2007, a dervish dancer talks about his ecstasy for his art, his connection to a greater spirit, a greater world, a greater...

Carried by chamanics and cosmics vibrations music, this movie present us Aloual, the fetish actor, in a kind of naked and listless semi-captivity. ...

Ritual of seduction led by Aloual, principal actant of the filmmaker's first films. This ritual, carried by the rock energy of the divine Lou Reed,...

In this film-manifesto, set to music by Berndt Deprez, Stéphane Marti condenses 35 years of creation. Placed under the sign of experimental...

Charon’s black cab, the Sleepwalker’s dreams, a vanishing star, the broken stain glass of the Crucified, scattered roses. This is an...

Michel Journiac's actions (1935-1995) are unique works and have never been repeated (except for the first, Mass for a body, 1969). Only photographs,...

A mediterranean garden dulled in a hot summer afternoon. The camera twirl around like a wasp and, into the burnt super 8 images fragments, we...