Stephen Dwoskin Filmes

Stephen Dwoskin brings together members of the Ballet Negres dance company, founded in London in 1946.

'The Silent Cry is a fictionalised narrative film, based on documentary facts and extracts of one English girl's memories and thoughts, all...

An unfulfilled man renders himself to the unrealized sensuality of four women. In his drifting search, he fails and fades in the same loneliness as...

"Hi Steve" and "Dear Robert" exchanged between two filmmakers: Robert Kramer and Stephen Dwoskin. "The Videoletters strip away the formalities that...

A film about the writing of Brendan Behan realised through three performers wandering through Dublin reciting extracts from his work. Together it...

'Dyn Amo' is a 'drama' exploring the distinction between a person's self and his projection of that self to others; and it's a 'horror movie'...

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996....

The film is just this kind wandering through the personal ways and whys of different kinds of pain in different kinds of people. The film searches...

The film questions the possible viewing positions with the girl; in other words, who and what is looking at whom? and is the girl alone or with...

'The Sun and the Moon, a film fairy tale, is about two women’s terrifying encounter with ‘Otherness’ in the form of a man, abject...

In their lyrical and philosophical video essay, “Telescopic Intimacy”, Cristina Álvarez López and Adrian Martin explore the...

Stephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts of ageing. The film is an ode to the texture,...

To Tea, made in Holland (at the house of the Dutch avant-garde filmmaker Franz Zwartjes), is a slowed ‘Alice in Roomland’.A guide to...

Born in 1904, Brandt was a shy and enigmatic man who dominated British photography for decades. His early studies of class-divided Britain were...

"Either in its natural state or with its embellishments of makeup, jewels, and hairdos, nothing can restrain the imagination from the most forms of...

“Suddenly and sadly my dear friend Frances died. At that moment of loss I needed to hold on to her. The film is just that.” –...

Shot in Brixton, London, in 2004, the film is originally a letter addressed to Dwoskin by its authors. It creates a unique space, movement and rhythm...

In this unique approach to the autobiographical film format, director Stephen Dwoskin pieces together home movies shot by his parents in New York...