Robert Breer Filmes

100 basic images switching positions for 4000 frames.

An abstract view of a seacoast landscape, created by mixing original line drawings and rotoscoped imagery traced from live-action footage, presented...

Short hand drawn representation of a cat

Experimental film, in which against a black field, constantly changing coloured strips of paper cross the screen, meet each other and deflect at...

A free flow from photography to geometric abstraction hand-painted by Breer. Alternate version.

Breer’s animation explores the theme and variation of the drawn line: a line in constant movement and transformation. With a very sketchy...

Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the...

A record, of sorts, of the birth and death of Tinguely’s famous auto-destructive sculpture. Filmed on the spot at MoMA, this film also exploits...

Breer's earliest experiments in animation are wonderfully dense yet lyrical abstractions based on Breer's own geometric paintings. - Harvard Film...

Breer's earliest experiments in animation are wonderfully dense yet lyrical abstractions based on Breer's own geometric paintings. - Harvard Film...

Shot in 1974, Colliding was made as a portrait of sculptor/animator Robert Breer.

An anarchic collage of invention, Rubber Cement uses rotoscoped family footage together with found objects to create an almost free-form animation...

An elegant home movie, its subject is Breer's apartment which faces the Tappan Zee (T.Z.) Bridge. It is permeated, as are all his films, with subtle...

Personal photos are interspersed with fragmentary drawings and flashes of colour, observed and/or remembered everyday events - all of which add to a...