Phil Solomon Filmes

The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into...

An unsentimental elegy to the American West, Sweetgrass follows the last modern-day cowboys to lead their flocks of sheep up into Montana's...

BRAKHAGE explores the depth and breadth of the filmmaker’s genius, the exquisite splendor of his films, his magic personal charm, his aesthetic...

The virtual landscapes of a video game are transformed into an existential tale of solemn beauty.

This was an unfinished collaboration with Stan Brakhage. This film was actually screened publicly at least a few times, including at Pacific Film...

In this handmade film, composed of more than four thousand collages, the actress Lillian Gish is seamlessly appropriated from silent-era cinema and...

Solomon uses chemical and optical treatments to coat the film with a limpid membrane of swimming crystals, coagulating into silver recall, then...

A would-be exile explores her Georgia O'Keeffe fantasies through customer support calls.

"No filmmaker of the 1980s knew as much as Phil Solomon of affirming the importance of multiple layers in the visual production of images. Solomon...

Glimpses and sparkles of childhood memories.

Half lullaby for the dead, half lamentation on the twilight of the cinema.

"One week after 9/11, independent filmmakers Jay Rosenblatt and Caveh Zahedi put out a call to over 150 experimental and documentary filmmakers...

Adopting its title from a poem by Edna St. Vincent Millay, What’s Out Tonight Is Lost is an elegiac film sifting through the unrecoverable. The...

The second feature-length film directed by Scott Barley.

Part of "In Memoriam", a body of work comprising several videos, shot entirely within the virtual world of the Grand Theft Auto video game. Solomon...

In 2005, Phil Solomon collaborated with his best friend, the highly respected filmmaker Mark LaPore, on a short digital video entitled Crossroad,...

Phil Solomon's fist attempt at a cine-nocturne.

Okay, well, this film started out as a punk Joke, made 10 minutes before class, in 8mm, shot Brakhage, camera jammed, used accident to shoot him down...

This afternoon summer scene is very much how he worked (when painting directly on film) in the last several years – at various cafes and sports...

'Blinking' 2D rendition of one of Ken Jacobs' Nervous System performances first presented in 1994.